After a season that broke all attendance records (we are indeed a cultured mob) the exhibition closed at 5pm today. Tomorrow the packers will rip out their masking tape and start bundling up the priceless treasures for a trip across the seas to Japan.
Tracy Chevalier's best-selling novel Girl With a Pearl Earring
Looking at the artworks in the Masterpieces exhibition, commonly recognised yet so rarely studied by your average gallery-goer, made me think about the paintings as story stimulators.
Who are the people in the images? Are they happy to be there? What's their relationship to the artist? What are they really thinking behind the poses? What secrets do they hold? How did their lives unfold?
So many questions....so many untold stories...
Test your imagination on these beauties:
Van Gogh's self portrait. Was he repressing a jovial personality behind that intense and penetrating stare?
Was Paul Signac's galleon arriving at Marseille concealing a band of pirates below decks, poised to pillage and plunder the unsuspecting port?
Are Gauguin's womenfolk discussing the poor state of their hands after toiling in the fields all day and cooking up a career move into the as-yet untapped organic moisturiser market that will propel them from peasants to palace-dwellers?
What sumptuous feast will Cezanne's onions flavour? Why did the cook forget to peel them; whose garden were they pilfered from; who is the feared and revered dinner guest; and what life-changing news will she deliver to her host?
Why is Emile Bernard's Madeleine in the woods and of what, or of whom... is she dreaming?
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